Tuesday, May 12, 2009

Historical Hymns and their Historical Contexts

As I was reading from A Survey of Christian Hymnody, I was fascinated by the contexts in which hymns were written. For example, during the Thirty Years' War, hymns "reflected a changing emphasis from the predominantly objective emphasis of earlier hymns to a more subjective one." These hymns reflected the people's reliance upon God for comfort and consolation with expressions of devotion and self-consciousness. Every period produced different expressions and content that reflected the times of the culture and it seems that all the expressions represent a different quality of the Christian life.

My questions are...what is the value of singing historical texts? and what is the value in teaching the historical contexts?

1 comment:

  1. I think Lewis might help us here. In the discarded image Lewis writes:

    "To the Greeks, we are told that, the historical process was a meaningless flux or cyclic reiteration. Significance was to be sought not in the world of becoming but in that of being, not in history but in metaphysics, mathematics, and theology. Hence Greek historians wrote of such past action--the Persian or the Peloponesian War, or the lives of great men--as have a unity in themselves, and were seldom curious to trace from its beginnings the development of a people or a state. History, in a word was not for them a story with a plot. The Hebrews, on the other hand, saw their whole past as a revelation of the purposes of Jahweh. Christianity, going on from there, makes world history in its entirety a single, transcendentally significant, story [metanarrative] with a well defined plot pivoted on Creation, Fall, Redemption, and Judgement. On this view the differentia of Christian historiography ought to be what I call Historicism; the belief that by studying the past we can learn not only historical but meta- historical or transcendental truth."

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